Projection
2:1 isometric ground logic; architecture may lift toward a cinematic 35.264° view without breaking the shared axes.
A VISUAL CONSTITUTION FOR LIVING SCENES
Build worlds that
still feel whole.
A production-oriented grammar for composing Kiduna Scenes from canonical Components—without losing atmosphere, coherence, or beauty.
THE PROMISE
Not a game board.
A place in Kiduna.
A Scene is a situated, stateful composition. Its visual integrity comes from one contract shared by every Background, Tile, Wall, Object, Entity, Effect, Portal, Panel, Overlay, and piece of Chrome.
Scale
One world unit equals 0.25 m. A canonical standing Avatar occupies 0.62 × 0.62 × 1.75 m.
Anchors
Placement, interaction, shadow, light, attachment, portal, and occlusion anchors are explicit metadata.
Depth
A deterministic world-depth key combines layer band, projected position, elevation, and local bias.
Light
Every asset is authored under a neutral world rig, then receives Scene atmosphere, local light, and reflected color.
Material
Stone, wood, brass, enamel, glass, textile, foliage, water, and fire share a restrained response grammar.
State
Light, motion, material and environmental response express state before any Overlay is introduced.
Inheritance
Realm → Scene → Area → Component. Structure survives style; identity survives adaptation.
SYSTEM DEMONSTRATION
The Observatory
Background light, architecture, portals, work surfaces, and portrait presences operate as one world.
Open all nine Scenes →50reference specimens
9component families
9structured Scenes
14interaction states
THE TEST
Could another intelligence make the next place—and have it belong?
Everything in this release exists to make the answer inspectable, repeatable, and yes.
See the acceptance gates